Showing posts with label mists. Show all posts
Showing posts with label mists. Show all posts

Thursday, 22 July 2010

Maritime Inversion, Big Sur

Hearing about all the very high temperatures people are experiencing keeps reminding me of the  summer of 2006.  In July, I travelled to a convention by car from San Diego to Albuquerque via Tombstone and back again!  This involved crossing two deserts in a heatwave(!) and my sketches started to record the temperature as well as the place and date (You can see the sketches in USA Sketchbook - Southwestern States)

On my return to San Diego, I flew north to San Francisco with a plan of driving down Big Sur in glorious sunshine.

What I didn't realise is that when it's very hot inland California tends to get a maritime inversion along the coastline.  This is what happens when cold marine air underlies warmer air and gets trapped.  So my memories of Northern California mainly involved grey skies and not very warm weather!  (Not very warm being relative when when you've been living with 100+ degrees Fahrenheit for quite some time!)

 Maritime Inversion, Bixby Bridge, Big Sur
8" x 12", coloured pencils on Arches HP
copyright Katherine Tyrrell

You can read the blog post behind this drawing here - Friday 28th July - "Driving down big Sur - at last" which is aboout the drive along the Pacific Coast Highway down Big Sur.  You can also see the original sketch which was done while stood at the top of some very high cliffs staring down at the very turquoise sea below.

The inversion produces fog and I think there was nearly as much moisture in the air as there was in the water in the Pacific Ocean way down below.  Trying to draw fog is a bit of a challenge!

Wednesday, 24 December 2008

Mists of Avalon

Mists of Avalon
20 x 8 watercolour
From the sea to the streets runs the wandering fog,
like the steam from a steer interred in the cold,
and long tongues of water accumulate, covering over
this month that, in our lives, promised heaven.

- Pablo Neruda - Love Sonnet Number 85
There is something about an expanse of water that begets more water in other forms. Mist or fog obscures the view, taking away definition and draping itself over the rocks and trees as well as the water.

Living on the northeast Avalon Peninsula, fog is often blanketing the coastal towns creating 'mauzy' days. The small coves and bays where fishermen sought shelter and created homes still stand, untouched by time in terms of geography and the look of rocks and trees and water.
The peninsula was one of the first European inhabited areas in North America, with the first permanent settlement established at Cuper's Cove in 1610. Sir George Calvert was later given a large land holding on the peninsula. The initial colony of Ferryland grew to a population of 100 becoming the first successful permanent settlement on Newfoundland island. In 1623 Calvert was given a Royal Charter extending the Royal lands and granting them the name Province of Avalon "in imitation of Old Avalon in Somersetshire wherein Glassenbury stands, the first fruits of Christianity in Britain as the other was in that party of America." Calvert wished to make the colony a refuge for Roman Catholics facing persecution in England. In 1625 Calvert was made the first Lord Baltimore in recognition of his achievements.
Admiral's Cove is one of the small settlements on the Avalon, near Ferryland and it is here in the sheltered cove that this watercolour depicts. The fog is just starting to form on the horizon and is softening the headland. In an hour or less, the foreground starts to become hazy with fog, taking colour with it and creeping into your clothes and hair with cold and damp.

Twilight fog
oils 5 x 7

Capturing that magical form of water at its various stages is complex, as it changes before your eyes in both shape and colour. I love the softened look to the sea and land that fog creates and the mournful, incessant sound of the foghorn warning ships they are too close to land.

Many of the traditional lighthouses are now gone, replaced by fog alarms instead. The foghorn works with laser technology. Two laser-beams are transmitted far upon the ocean. If the beams can not intersect - the fog horn is triggered to sound-off. Huge, crashing waves, causing mist, can sometimes trigger a "false-alarm" sounding of the horn.

I prefer the romantic notion of rotating lights and humans manning lighthouses, perched on a rock face in the fog.